Behind the scenes, a talented wardrobe team led by costume designer Steve Salvador, associate Monro Romano and wardrobe master Alice Capulong worked closely with Serrano to ensure historical fidelity and visual poetry.
In a fusion of heritage and cinematic storytelling, the film Quezon elevates its visual narrative through the masterful costume work of Rommel Padillo Serrano, the acclaimed cultural advocate and artistic director of the Kalilayan Folkloric Group of Catanauan, Quezon.
Lending his invaluable collection and expertise to the historical production, Serrano provides not just garments — but legacy stitched into every thread.
At the heart of this collaboration is Karylle Tatlonghari’s luminous portrayal of Doña Aurora Antonia Aragón Quezon. Her character comes alive in a breathtaking Traje de Mestiza reminiscent of the 1920s and 1930s, capturing the dignified spirit and understated power of the First Lady. The costume, curated by Serrano with the assistance of Alexander Serrano Tuquero, is a harmonious blend of authentic antique heirlooms and meticulously crafted replicas — each chosen with reverence to period accuracy.
A living museum on screen
• Peineta: An exquisite antique tortoiseshell comb adorned with gold filigree, symbolizing nobility and feminine grace.
• Cañamazo Camisa: A rare hand-embroidered blouse made from natural cotton weave, showcasing delicate bordado artistry that echoes Filipino patience and pride.
• Kamison: A layer of elegance, featuring hand-drawn embroidery on soft, breathable cotton, evoking the comfort and charm of traditional Filipina innerwear.
• Sobre Falda: Decorated with cadeneta stitchwork, the overskirt adds both formality and subtle drama to the silhouette.
Completing the ensemble are carefully reconstructed pieces:
• Abanico: A Spanish-style folding fan — timeless in design and symbolic of refined decorum.
• Porta Abanico: A fan holder reimagined to match the era, resting elegantly at the waist.
• Saya de Cola: A trailing skirt cut from vintage fabric, reflecting the flowing elegance favored by mestizas of the time.
Behind the scenes, a talented wardrobe team led by Costume Designer Steve Salvador, Associate Monro Romano, and Wardrobe Master Alice Capulong worked closely with Serrano to ensure historical fidelity and visual poetry.
Tribute to cultural stewardship
Filmed in the heritage town of Pila, Laguna on 2 June, this cinematic moment is not merely a period recreation — it is a visual testament to the importance of cultural preservation.
“Through costume, we honor the spirit of a nation’s women. Through fabric, we remember the soul of our past,” Serrano said.
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