How a CCP scholar turned dance into community work
CCP scholar Patricia Angel Ramos has built a career that extends from the stage to arts education, community outreach, and production.
Daily TribuneCCP scholar Patricia Angel Ramos has built a career that extends from the stage to arts education, community outreach, and production.
For some people, dance is simply a performance. For Patricia Angel Ramos, it became a commitment to cultural education, community work, and arts production. As a scholar under the Cultural Center of the Philippines (CCP) Scholarship Program, she built a career that extends from the stage to the classroom and into project management, a path that reflects the many roles artists often take on.
Ramos studied dance at the Philippine High School for the Arts (PHSA) under Victor Emmanuel L. Flor. Her years on the Makiling campus gave her a strong foundation, while the CCP scholarship reinforced her commitment to the craft. She credits the financial assistance and supportive community for pushing her to work harder because she did not want the opportunity to go to waste. She later graduated magna cum laude from UP Diliman with a bachelor's degree in music, major in dance, and received the Gawad Dekano para sa Natatanging Likha for her thesis recital.
Despite her achievements, Ramos once questioned whether dance could provide a practical future. Before college, she weighed the realities of the profession but ultimately chose to continue because she felt most at home in dance.
As her career developed, the stage alone no longer satisfied her. Ramos and her dance partner, Roque Marquez, co-founded Dance and Drills, a platform that introduces dancesport, or competitive ballroom dancing, through grassroots workshops.
She also performs folk and contemporary dance, which allows her to bring cultural education to communities with limited access to formal arts training. No matter the role, Ramos believes discipline remains the lesson that ties everything together, both in dance and in everyday life.
Ramos has also built a career beyond performance. She recently served as project coordinator for the Virgin Labfest XXI Writing Fellowship Program, where she took on production and project management responsibilities.
Her work with Dance and Drills and the fellowship program gave her a deeper appreciation for the people whose efforts make performances possible. Whether she teaches, organizes events, or performs, Ramos believes her role extends beyond personal recognition. Her focus remains on supporting the local arts community and creating more opportunities for others through dance.
