Whenever the name Joan Punyet Miró comes up, it is almost impossible not to initially think of his grandfather, the legendary painter and sculptor Joan Miró. Yet, during the previous visit to Manila of the younger Miró, he successfully carved out a distinct identity of his own.

His initial exhibition, Punyet L’Azur: A Homage to Mallarmé at Leon Gallery International, filled the space with expansive seas of blue. The obras mystically enveloped guests in a singular atmosphere, as testimonial photographs and archival videos of the artist standing, sitting, lying down, and even embracing the canvas displayed a physical yet meditative approach.

So when his second exhibition, Oneness, commenced, I expected a similar presentation. Perhaps another immersion into a dominant hue, possibly a series of monumental compositions? Surprise, surprise! Instead of vast expanses of blue, several walls were splattered with 80 square blocks of primary colors — each executed in acrylic on canvas mounted on wood. The spectacle was minimalistic at first glance, yet it buzzed with energy collectively!

Every piece had its own title. However, it was often the accompanying quote written by the artist himself that captured attention first. Some read like verses, others philosophical reflections. “If there is a realm where men can be truly free, is in the world of dreams,” declared one. Short quips included “Nothing but love can save the world,” and “White is just eternity.”