Forty-five years after its debut, a cinematic gem starring National Artist Nora Aunor is set to grace the big screen once more. Kung Ako’y Iiwan Mo, directed by Laurice Guillen and filmed partly at the historic Metropolitan Theater, will return to the UPFI Film Center for a series of special screenings in March 2025.

Originally released during the 6th Metro Manila Film Festival in 1980, this modernist drama showcased Nora Aunor not just as an actress, but also as a captivating concert performer. The film, which explores the complexities of a shattered affair, was lauded for its artistic merit, winning Best Cinematography and Best Sound at the festival.

The revival of Kung Ako’y Iiwan Mo is a testament to the enduring power of classic Filipino cinema. The film’s resurgence is largely thanks to the archival efforts of Jojo Devera, who unearthed a significant find, allowing audiences to once again witness Nora Aunor’s electrifying performance. A particular highlight is a close-up scene of the Superstar passionately singing her rendition of George Canseco’s iconic ballad, Saan Ako Nagkamali.

The Metropolitan Theater, a cultural landmark in Manila, serves as a fitting backdrop for the film’s narrative. Its historical significance adds another layer of depth to the viewing experience, connecting audiences to a bygone era of Philippine cinema.

The UPFI Film Center’s decision to feature Kung Ako’y Iiwan Mo during Women’s Month in March 2025 is a tribute to both Nora Aunor and Laurice Guillen, two influential women in Philippine film. The screenings offer a new generation the opportunity to appreciate their artistic contributions and the timeless themes explored in the film.

Kung Ako'y Iiwan Mo will be screened at the Videotheque, UPFI Film Center, on:

• March 20 (Thursday) - 2:00 PM

• March 21 (Friday) - 11:00 AM

• March 26 (Wednesday) - 11:00 AM

Adding to the accessibility of this cinematic experience, admission to the screenings will be free. This presents a unique opportunity for film enthusiasts, students, and fans of Nora Aunor to witness a piece of Philippine film history.

The return of Kung Ako’y Iiwan Mo is more than just nostalgia. It’s a celebration of Filipino artistry, a reminder of the power of storytelling, and a chance to rediscover the magic of Nora Aunor on the silver screen.