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The China I imagined finally came to life in Guilin

From above, Guilin reveals itself in full with emerald karst mountains rising like islands from the earth, the Li River threading through the city, and a skyline where ancient China and modern life somehow coexist without arguing.

Jingjiang Princes’ Palace in Guilin, China, a historic Ming Dynasty site known as the ‘other Forbidden City.’

Jingjiang Princes’ Palace in Guilin, China, a historic Ming Dynasty site known as the ‘other Forbidden City.’

Photographs courtesy of Trip.com and Alvin Kasiban

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Still riding the high of my recent trip to China, I found myself replaying the first full day of our Guilin adventure, a destination I had, admittedly, never given much thought until Trip.com offered a cultural tour. Like many people, China conjured images of Beijing, Shanghai, or the Great Wall. Guilin? Not so much. As it turns out, I’d unknowingly been acquainted with it for years. A fellow delegate from Malaysia pointed out that Guilin’s unmistakable karst peaks are the very landscapes immortalized in traditional shanshui paintings that seem to hang in the living rooms of countless Filipino-Chinese households. Once you realize it, you can’t unsee it.

Futuristic Shanghai

Straight from the futuristic Shanghai, our introduction to the city began at what will become our temporary home for the coming days, the historic Ronghu Hotel. The 5-star estate was a former state guesthouse where diplomats, government delegations and foreign dignitaries once checked in instead of checking into history. Set beside the calm waters of Ronghu Lake, the hotel feels suspended between imperial elegance and modern hospitality. Early mornings here come with birdsong instead of traffic, and a lakeside stroll that quietly persuades you to slow down, something Guilin seems remarkably good at.

The following morning wasted no time showing why the city has fascinated travelers for centuries. Our first stop was Reed Flute Cave, a place that sounds modest until you step inside and realize nature had been working on its interiors for roughly 180 million years. If Palawan’s Underground River is a cathedral carved by water, Reed Flute Cave is its flamboyant cousin who discovered theatrical lighting. Stalactites, stalagmites and towering limestone formations glow beneath carefully orchestrated colors, transforming the cavern into something that feels halfway between geology and stage production. Near the entrance, ancient Tang Dynasty inscriptions remind visitors that people have been marveling at this place for well over a millennium. Human civilizations, one quickly realizes, are merely passing tenants in a mountain with exceptional patience.

Elephant Trunk Hill is the symbol of the city of Guilin.

STATUE of Wang Zhenggong.

Visitors have been exploring this site for over 1,200 years, with inscriptions dating back to the Tang Dynasty still visible.

Osmanthus ice cream served in a woven bamboo basket.

The Reed Flute Cave, also known as ‘the Palace of Natural Arts,’ is a landmark and tourist attraction in Guilin, Guangxi, China.

Back above ground, Xiangbishan Scenic Area offered a complete change of pace. Elephant Trunk Hill, Guilin’s enduring emblem, resembles an elephant dipping its trunk into the Li River, provided you stand at precisely the right angle and extend just enough generosity to your imagination. It is one of those landmarks that somehow manages to live up to its postcards. Around it unfolds a leisurely riverside scene of cafés, souvenir shops and stalls serving Guilin’s beloved osmanthus soft serve. Creamy and floral, this local sundae is handed to you tucked inside a woven bamboo basket with a cheerful elephant topper, a dessert that seems almost contractually obligated to appear on social media before it melts.

World’s largest artificial hotel waterfalls

Our well-needed lunch was later consumed at the Guilin Lijiang Waterfall Hotel. By evening, one side of the building transforms into what is considered one of the world’s largest artificial hotel waterfalls, though its interior is every bit as impressive. A soaring atrium stretches nearly the entire height of the property, its open balconies stacked layer upon layer until your eyes instinctively drift upward. It feels less like occupying the center of an architectural amphitheater.

History closed the day at Solitary Beauty Peak and Jingjiang Princes’ Palace, where Guilin reminds you that it was already writing chapters of Chinese history long before many famous landmarks elsewhere existed. Local guides proudly note that the palace predates Beijing’s Forbidden City by more than three decades. Courtyards once reserved for Ming princes now welcome curious travelers, while weathered stone paths eventually lead to the summit of Solitary Beauty Peak. The climb is enough to make you appreciate elevators as one of humanity’s greatest inventions, but the reward is immediate. From above, Guilin reveals itself in full with emerald karst mountains rising like islands from the earth, the Li River threading through the city, and a skyline where ancient China and modern life somehow coexist without arguing.

If this was merely Day One, Guilin had already done something remarkable. It had taken a place I barely knew existed and turned it into one I couldn’t stop looking at. That’s probably the best sort of travel, the first few days when you’re not simply seeing somewhere new, but discovering you’ve been carrying faint echoes of it your whole life without ever realizing it. But what I carried long after I left China was that nothing would have prepared me for the days that followed.