Lustrous legacies



The Philippines’ textile fiber supply remains stable despite the calamities affecting several parts of the country.

The country’s expanding railway network could sharply reduce the transport sector’s carbon footprint, with upcoming…

The Department of Science and Technology–Philippine Textile Research Institute (DOST-PTRI) opened the 2026 Philippine…

Interior Secretary Jonvic Remulla on Monday said Vice President Sara Duterte initially wanted what he described as a…
The Department of Justice is being pressed to disclose the status of long-pending petitions for review and motions for…

JONATHAN Dangue

MICHAEL Orlina, Mia Esteban, Julianna Huang and Ramon Orlina.

ART Lounge Manila’s managing director Susanne Tiaussas flanked by Hoseki’s chief creative officer Knoi Esmane and Founder Faico.

FAICO's ‘Moonlit Harvest’ 13x16.5 x10.5: South Sea Pearls, Wood, Brass, Cubic Zirconia and Resin.

UNESCO Commissioner for Culture and Arts Martin Lopez.

LEE Dequito

DENZEL Chang

MIGS Villanueva
True artistry knows no bounds, emerging not merely as personal expression but as a grand dialogue between heritage and innovation.
Celebrating its pearl jubilee with an arresting exhibition titled “Allure of Pearls” in Art Lounge Manila, Hoseki Jewelry Art underscored its position as one of the country’s most distinguished jewelry houses.
The retrospective seamlessly bridged the gap between fine jewelry and contemporary visual art, where classic gems were transformed into poignant symbols of resilience and human connection. Creative visionaries and masters like Faico and partner and chief creative officer Knoi Esmane showcased precisely why the maison has earned over 30 international design awards — proving that jewelry can transcend fashion to become profound, wearable art.