The enduring debate over who stands as the greater actress between Vilma Santos and the late National Artist Nora Aunor once again took center stage, but two of Philippine cinema’s most respected filmmakers believe the question has no definitive answer.

During their guest appearance on Fast Talk with Boy Abunda, acclaimed screenwriter Joey Reyes and award-winning director Joel Lamangan shared why the two icons deserve to be celebrated for their own unique artistry rather than measured against each other.

When asked by Boy Abunda about his thoughts on the two legendary performers, Reyes immediately dismissed the idea of choosing one over the other.

“They are two sides of the same coin,” he said, emphasizing that Vilma and Nora each brought distinct qualities that elevated Philippine cinema.

Reyes pointed to the unforgettable body of work left by both actresses, citing films that defined their respective careers. For Nora Aunor, he mentioned classics such as Bona and Tatlong Taong Walang Diyos, while highlighting Vilma Santos’ acclaimed performances in Sister Stella L. and Relasyon.

“There is no way to compare apples and oranges,” Reyes explained, stressing that each actress excelled in her own style and contributed equally to the country’s cinematic heritage.

Lamangan, who directed Nora Aunor in several acclaimed films, admitted that he has long been known as a Noranian but also considers Vilma Santos a close friend.

“Noranian ako, di ba? Pero kaibigan ko si Ate Vi,” he said.

The veteran filmmaker also offered a candid reflection on Aunor’s working style, acknowledging that she was not without imperfections, particularly during her younger years. However, he emphasized that whatever shortcomings she may have had disappeared the moment the cameras started rolling.

“May mga pagkukulang siya pero iyong pagkukulang na iyon, napupunan na pag sinabi mong ‘action.’ Pagkahusay-husay niya,” Lamangan said.

For Reyes and Lamangan, the legacy of Vilma Santos and Nora Aunor cannot be reduced to a competition. Instead, both women represent different schools of brilliance whose performances continue to inspire generations of actors, filmmakers, and movie lovers.

Their message echoes what many film enthusiasts have long believed: Philippine cinema became richer because it was fortunate enough to have both Vilma Santos and Nora Aunor, each leaving an extraordinary mark that stands on its own.