Pilita Corrales: Asia’s enduring ‘Queen of Song,’ 85
Long before reality, singing competitions dominated our screens, Pilita was setting the standard for Filipino musical artistry on a global scale.
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Daily TribuneLong before reality, singing competitions dominated our screens, Pilita was setting the standard for Filipino musical artistry on a global scale.
For many, the name Pilita Corrales conjures an image of a graceful backbend, a signature move as iconic as her powerful vocals. But to simply remember her for that would be to miss the rich tapestry of a career that has spanned six decades, earning her the well-deserved title of "Asia's Queen of Songs" and a place in the hearts of Filipinos worldwide.
Born Pilar Garrido Corrales on 22 August 1939, Pilita isn’t just a singer; she’s a songwriter, actress, comedian and a beloved television personality. Her journey is a testament to her exceptional talent, unwavering dedication and magnetic stage presence that has captivated audiences across continents.
Long before reality, singing competitions dominated our screens, Pilita was setting the standard for Filipino musical artistry on a global scale.
Media and critics alike have hailed her as the “Greatest singer in the Philippines,” a weighty title backed by an astounding 135 albums recorded in English, Filipino, Spanish and even Cebuano.
Her sweet voice and distinctive singing style weren’t just popular at home; in 1963, her single “A Million Thanks to You” soared to the top of the Philippine charts, a rare feat for a local artist in that era.
Pilita’s impact wasn’t confined to the Philippines. She was a pioneer, one of the first Filipino artists to conquer international charts, even reaching the coveted number one spot in Australia.
In a moment of national pride, she became the first Filipino to triumph at an international music festival, bagging the Best Performer Award at the inaugural Tokyo Music Festival in 1972, besting talents like Olivia Newton-John. This groundbreaking achievement paved the way for future Filipino artists on the world stage.
Beyond the recording studio, Pilita seamlessly transitioned to film and television. Her show, “An Evening with Pilita,” is still considered a benchmark in Philippine broadcasting history, a testament to her charisma and ability to connect with viewers. Her contributions to the industry haven’t gone unnoticed.
She’s a recipient of numerous accolades, including a ‘Lifetime Achievement Award’ from the Philippine Association of the Record Industry (PARI) for her role in introducing Filipino music to the world.
Even Melbourne, Australia, recognized her significant impact by naming a street in her honor, and the University of Visayas bestowed upon her an honorary Doctorate in Music.
Imagine the thrill of being personally invited by the legendary Sammy Davis Jr. to sing at Caesars Palace.
Pilita not only graced that iconic stage but also proudly showcased the diversity of Filipino music, performing songs in Spanish, English, Cebuano, and Tagalog, all under the masterful arrangement of Ryan Cayabyab.
From receiving the Philippine Citizen’s Award for TV in 1965 to numerous Cecil, Aliw, Tinig, and Awit awards, and a Merit Award from the FAMAS Awards, Pilita’s trophy cabinet is a testament to her consistent excellence.
Her role as a judge on the first-ever “Philippine Idol” and then on “Asian Idol” further solidified her status as a respected figure in the contemporary music scene.
Even today, Pilita’s influence resonates. Her signature hits like “Kapantay ay Langit” and “A Million Thanks to You” remain timeless classics, sung and cherished by generations.
And if you’re ever in Greenhills, you might just find yourself at Pilita’s, her very own restaurant bar, a testament to her enduring entrepreneurial spirit.
She is a cultural icon, a trailblazer, and a true queen who has reigned over the Asian music scene for decades, leaving an indelible mark on the hearts of millions. Her story is one of talent, perseverance, and a deep love for her craft, a legacy that continues to inspire and entertain.
