Masterful prologue
Within this beautifully articulated sanctuary, a curation of 27 objects by 11 young designers and 10 heritage manufacturers redefines the boundaries of material agency and national pride.
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Within this beautifully articulated sanctuary, a curation of 27 objects by 11 young designers and 10 heritage manufacturers redefines the boundaries of material agency and national pride.
‘Sail’ by Senseware x Meyte Szita Chan, produced by S. C. Vizcarra.
‘Seasons’ by VENZON x Selena Placino.
‘Tulip and Hatch Dining Chair’ by Triboa Bay Living x Guia Viray.
‘Pearl of the Orient’ by A. Garcia x E lou.
‘Bato Bato Stick’ by Lamana x Nazareno Lichauco.
‘Chimney Lamps and Curtain’ by Zacarias 1925 x Nazareno Lichauco.
‘Puddle Table and Munia’ by JB Woodcraft Inc. x Chini Lichangco.
Jia Curated 2026, which has emerged as Southeast Asia’s most definitive crucible of spatial intelligence and biophilic inquiry, has transformed the sun-drenched beachfront of Pengembak Beach in Sanur, Bali, into a living laboratory of global material culture.
Operating under the urgent, transcendent theme “Nature Weave,” this immersive global forum disrupts the conventional, sterile architecture of trade fairs by anchoring its 15,000-square-meter ecosystem in the elements of wind, light and water.
In the shifting tapestry where tradition and modernity tightly intertwine, true luxury is measured by the quiet power of identity. Here, the ancestral and the avant-garde collide, inviting over 250 local and international exhibitors to challenge contemporary industrial orthodoxy, framing sustainable design as an act of communion where architecture and slow craft serve as direct extensions of ecology.
Tomorrow, the guest-curated Philippine Pavilion stands at the absolute vanguard of this dialogue, projecting an unprecedented wave of contemporary Filipino design intelligence onto the global stage.
Conceived by veteran collaborator and creative director Gabriel Lichauco, the exhibition acts as a profound personal letter from the Philippines to the world, masterfully articulating how localized memory can dictate international design discourse.
The pavilion unfolds against a striking backdrop of vertical streamers inscribed with the word kabayan (fellow countryman), instantly subverting western spatial coldness with an architecture of fellowship, warmth and profound patriotism.
Far from mere ornamentation, this spatial choreography signals a joyful cultural invitation to the global community, proving that the pinnacle of design innovation lies in deep, collective human connection and purposeful living.
Buddies, associates? One happy family?
A traditional dish called zongzi is served during China’s Dragon Boat Festival, which falls in June. It is a rice…
Divina credited the firm’s achievements to its members, thanking them for their ‘hard work, dedication, teamwork, and…
‘Sec. Vince Dizon, please explain how this finding of your own team should not be flagged as a ghost project in Taguig.’
Within this beautifully articulated sanctuary, a curation of 27 objects by 11 young designers and 10 heritage manufacturers redefines the boundaries of material agency and national pride.
This forward-thinking collective features a brilliant generation of contemporary Filipino visionaries — Bianca Carague, Cara Mia, Chini Lichangco, Edward Sibunga, Guia Viray, Jasser Aguila, Meyte Chan, Nazareno/Lichauco and Selena Placino — each sketching a portrait of an evolving design superpower.
These objects rest upon platforms and structural boxes that deliberately reference the sacred Filipino practice of padala — the ritual of sending carefully packed goods, memories, and affection across vast oceans to loved ones.
Through this brilliant conceptual framework, each piece becomes a physical vessel carrying the rich cultural heritage, longing and creative brilliance of a sovereign nation claiming its rightful seat in global design history.
This monumental presentation is steered by the formidable intellectual rigor of curator Gabriel Lichauco and the Newfolk Team, featuring Anna M. Rosete, Jar Concengco, Selena Placino and Guia Viray.
Lichauco anchors the pavilion in a design philosophy that respects ancient lineages of making while aggressively welcoming radical new voices. By pairing this vanguard of 11 designers with 10 legendary, heritage-driven Philippine manufacturers — including A. Garcia Craft, Calfurn, E. Murio, JB Woodcraft Inc., Lamana, Senseware, Southsea Veneer Corp, Triboa Bay Living, Venzon and Zacarias 1925 — this curatorial collective orchestrates an outstanding collision between global design and local heritage.
In a hyper-industrialized world detached from its roots, Tomorrow stands as a fierce, poetic testament that the most radical act of modern innovation is not inventing a new future, but fearlessly remembering who we are.
