SUBSCRIBE NOW SUPPORT US

Submerged histories and shimmering hopes: A voyage to ‘Dagat ng Pag-ibig’ at the 61st Venice Biennale

“I wanted to capture that delicate tension between the love that drives one to leave and the love that anchors them back home.”
Submerged histories and shimmering hopes: A voyage to ‘Dagat ng Pag-ibig’ at the 61st Venice Biennale
Luis Espiritu
Published on

In the sun-drenched corridors of the Arsenale, where the weight of history meets the whisper of the tide, the Philippines makes a sophisticated, quiet splash at the 61st Venice Biennale. 

Sea of Love / Dagat ng Pag-ibig is a fluid, atmospheric homecoming featuring the contemplative work of Manila-based artist and filmmaker Jon Cuyson. The pavilion sheds the loud, often frantic tropes of national identity for something far more poignant: the intimate, salt-stained reality of the global Filipino. 

NANAY Cleo’s Dream,  2021.
NANAY Cleo’s Dream, 2021.Photographs courtesy of Sea of Love of Jon Cuyson
SEA of Echoes.
SEA of Echoes.
KEREL (Sea of Love), 2021.
KEREL (Sea of Love), 2021.
PAVILLION of the Philippines at the 61st International Art Exhibition La Biennale di Venezia. 

Title: Sea of Love / Dagat ng Pag-ibig
Commissioner: National Commission for Culture and the Arts (NCCA), in partnership with the Department of Foreign Affairs (DFA) and the Office of Senator Loren Legarda. 
Curator: Mara Gladstone
Exhibitor: Jon Cuyson 

This cultural homecoming is a powerhouse collaboration, commissioned by the National Commission for Culture and the Arts (NCCA) in a tight-knit partnership with the Department of Foreign Affairs (DFA) and the Office of Senator Loren Legarda. Marking the nation’s sixth consecutive appearance at the Biennale Arte since its triumphant 2015 return, Sea of Love / Dagat ng Pag-ibig stands as a luminous realization of Senator Legarda’s long-standing advocacy to re-establish and broadcast the Filipino creative spirit on the world’s most prestigious stage.
PAVILLION of the Philippines at the 61st International Art Exhibition La Biennale di Venezia. Title: Sea of Love / Dagat ng Pag-ibig Commissioner: National Commission for Culture and the Arts (NCCA), in partnership with the Department of Foreign Affairs (DFA) and the Office of Senator Loren Legarda. Curator: Mara Gladstone Exhibitor: Jon Cuyson This cultural homecoming is a powerhouse collaboration, commissioned by the National Commission for Culture and the Arts (NCCA) in a tight-knit partnership with the Department of Foreign Affairs (DFA) and the Office of Senator Loren Legarda. Marking the nation’s sixth consecutive appearance at the Biennale Arte since its triumphant 2015 return, Sea of Love / Dagat ng Pag-ibig stands as a luminous realization of Senator Legarda’s long-standing advocacy to re-establish and broadcast the Filipino creative spirit on the world’s most prestigious stage.
Submerged histories and shimmering hopes: A voyage to ‘Dagat ng Pag-ibig’ at the 61st Venice Biennale
Homeward in art: Lopez collection returns to Iloilo with stories of women and migration
‘SEA OF LOVE’ at the Philippine Pavilion with curator Mara Gladstone and artist Jon Cuyson.
‘SEA OF LOVE’ at the Philippine Pavilion with curator Mara Gladstone and artist Jon Cuyson.Photographs courtesy of Clelia Cadamuro

Under the sharp, empathetic baton of California-based curator Mara Gladstone, the space becomes a sanctuary of “submerged histories,” mapping the invisible labor and emotional currents that bind our archipelago to the rest of the world.

Cuyson, a visual poet who navigates the complexities of migration with the precision of a master mariner, uses the ocean as both a metaphor and a literal stage. His minimalist paintings and cinematic textures speak to the endurance of those who cross horizons. 

“The sea is a space of connection, but also of deep longing,” Cuyson reflects on his process. “I wanted to capture that delicate tension between the love that drives one to leave and the love that anchors them back home.” 

Submerged histories and shimmering hopes: A voyage to ‘Dagat ng Pag-ibig’ at the 61st Venice Biennale
Sea of resilience: Josephine Turalba’s triumphant return to Art Basel Hong Kong
Photographs courtesy of Bien Alvarez
THE W_Hole Horizon (detail), 2026. Mixed media on  canvas.
THE W_Hole Horizon (detail), 2026. Mixed media on canvas.

It is a sentiment Gladstone amplifies through a layout that mimics the ebb and flow of the tide. “We wanted the audience to move through the space as if they were navigating their own journey,” Gladstone shares. “It’s about finding those silent frequencies of kinship that exist even in the vastness of displacement.”

To witness this installation is to feel the spray of the Pacific mingling with the Mediterranean air—a triumphant assertion of our contemporary mythos. The pavilion moves away from grand spectacles, choosing instead to focus on the “minor key” of everyday resilience and the humble mussel as a symbol of Filipino tenacity. 

As the world converges on Venice, Dagat ng Pag-ibig stands as a luminous testament to our capacity to find beauty in the depths of the unknown. It is a sleek, soulful voyage that proves that while the Filipino may be a citizen of the world, their heart remains an unshakeable anchor, forever tethered to the rhythm of the waves.

logo
Daily Tribune
tribune.net.ph