Fyang Smith, JM Ibarra shine in Nathan Studios’ Mother’s Day film ‘Picnic’
JM Ibarra and Fyang Smith
Nathan Studios
JM Ibarra and Fyang Smith
Nathan Studios

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From left: Ces Quesada, Fyang Smith, Nova VIlla, Sylvia Sanchez, JM Ibarra and Bodjie Pascua
Nathan Studios

Poster of Picnic
Nathan Studios
In Nathan Studios’ latest offering, "Picnic" — a poignant and beautifully adapted Filipino dub of the acclaimed South Korean film — two breakout stars are quickly capturing the public’s attention: Pinoy Big Brother: Gen 11 winner Fyang Smith and versatile newcomer JM Ibarra.
While the film is anchored by powerhouse veterans such as Ces Quesada, Nova Villa, and Bodjie Pascua, it’s the on-screen pairing of Smith and Ibarra — as the younger versions of Eun-sim and Tae-ho — that delivers a stirring emotional counterpoint to the story’s introspective core.
Smith, who provides both the voice and emotional texture of the youthful Eun-sim, has already been called a scene-stealer by early reviewers. Her performance navigates the character’s early innocence and quiet longing, offering a heartfelt portrayal that feels grounded yet ethereal. There’s a delicate maturity in Smith’s voice work — a sensitivity that signals the emergence of a serious acting talent beyond the reality show circuit.
Opposite her, JM Ibarra brings quiet intensity and vulnerability to young Tae-ho. With expressive voice acting that captures both the character’s unspoken affection and inner turmoil, Ibarra adds depth to a role that could’ve easily been one-note. Instead, he crafts a layered character that resonates, particularly in scenes that trace Tae-ho’s emotional awakening.
Their chemistry is subtle but unmistakable. Rather than relying on dramatic flair, Smith and Ibarra allow the silences between their characters to speak — evoking missed chances, youthful tenderness, and the bittersweet passage of time. This contrast to the elder characters’ reflective sorrow creates a rich emotional tapestry that binds generations.
For both actors, "Picnic" is a turning point. It not only introduces them to a wider, more mature audience but also positions them as voices of the next generation of emotionally driven storytelling in Philippine cinema. In a film that asks its viewers to look back and remember, Fyang Smith and JM Ibarra help us understand what was once felt, what was once lost, and what — even in silence — endures.
"Picnic" may be rooted in nostalgia, but its future lies in performers like Smith and Ibarra — talents who prove that sometimes, all it takes to leave a mark is to be honest, present, and unafraid to feel.