A night of 1,001 triumphs
‘It is a collection of magical, adventurous, and moral stories all demonstrating that kindness and wisdom can heal a wounded heart while violence and vengeance only destroy.’

‘It is a collection of magical, adventurous, and moral stories all demonstrating that kindness and wisdom can heal a wounded heart while violence and vengeance only destroy.’


KATHLEEN and Lior Liechtenstein.
Photographs courtesy of Ballet Philippines’

BARBIE Arcache

MACKY FÄH and Ram Bucoy.

YORAY Ofek, Philippe Liechtenstein and Jessie Singson.

BERNIE Aboitiz, Mimi Martin and Zelda Kienhle.

CARLOS and Kelly Misa Fernandez and Ina Zamora.

JC Buendia, Jojie and Keik Lloren.

JR Arce, Jor-El Espina, Dindi and PJ Roman.

LUCIA Boschi, Brenda Barton, Julie Boschi, Mia Borromeo and Kaye Tinga.
The grand opening gala of Ballet Philippines’ 1001 Nights, marking the magnificent opening of its 57th season at The Theatre at Solaire, unfolded as a luminous convergence of cultural memory, cinematic scale, and high-fashion artistry. As the chic velvet curtains parted, the city’s creative visionaries, loyal patrons, and the social set were instantly enveloped in an undulating Arabian dreamscape — a meticulous world-building exercise where ancient myth and kinetic grace effortlessly collided. Choreographed with visceral precision and profound emotional intelligence by artistic director Mikhail Martynyuk, the production offered a definitive triumph in scale, translating a timeless dialogue of love, betrayal and forgiveness into an evocative physical lexicon that breathed new life into the timeless tales of Scheherazade.
Reflecting on the timely resonance of the performance, Ballet Philippines president Kathleen Lior-Liechtenstein poignantly shared, “It is a collection of magical, adventurous, and moral stories all demonstrating that kindness and wisdom can heal a wounded heart while violence and vengeance only destroy. It’s a good story to tell at this time of global tensions and uncertainties.”
In true vernissage fashion, the evening gracefully transcended the boundaries of pure visual spectacle; it became a moving meditation on the enduring resilience of humanity, reaffirming that the stage, much like the finest couture, achieves its highest purpose when it seeks to elevate the soul.
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