March of the swans
The industry’s most luminous muses glided past the endless camera flashes — and red carpet fashion unmistakably shifted toward tactile luxury and deliberate silhouette.
The industry’s most luminous muses glided past the endless camera flashes — and red carpet fashion unmistakably shifted toward tactile luxury and deliberate silhouette.
LEONARDO Di Caprio in Dior.
DEMI Moore in Gucci
ANNE Hathaway in Valentino Haute Couture
PEDRO Pascal in Chanel
TEYANA Taylor in Chanel.
KIRSTEN Dunst in Celine.
NICOLE Kidman in Chanel.
US ballerina Misty Copeland in a bespoke David Koma.
TIMOTHEE Chalamet in Givenchy.
ANNA Wintour in custom Dior
JACOB Elordi in custom Bottega Veneta.
At the Oscars last Sunday, it was like the “Timothée Chalamet versus ballet and opera” issue came to life into the red carpet as black and white dominated this year’s 2026 Academy Awards ensembles — rendered in rich textures like feathers, lace, floral embroidery and tulle — ironically all nodding to opera and ballet.
This year’s red carpet transcended from a mere spectacle, evolving into a profound sartorial dialogue where the “now” of fashion has been defined by a soulful tension between architectural precision and ethereal vulnerability.
The industry’s most luminous muses glided past the endless camera flashes — and red carpet fashion unmistakably shifted toward tactile luxury and deliberate silhouette.
This year, the best-dressed list isn’t just a collection of gowns, but a masterclass in curated identity. It was a triumphant return to true craft, reminding us that at the intersection of heritage and innovation, fashion remains our most powerful tool for storytelling.
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