Indigenous Peoples gather for Dayaw Festival to celebrate and weave together a future

Indigenous Peoples gather for Dayaw Festival to celebrate and weave together a future | Daily Tribune

October is observed in the Philippines as National Indigenous Peoples Month, during which the National Commission for Culture and the Arts (NCCA) holds Dayaw: Philippine Indigenous Peoples Festival, spearheaded by its Subcommission on Cultural Communities and Traditional Arts (SCCTA).

“Dayaw means…‘to honor, ‘to give respect,’ and ‘to give high regard’ to our culture and identity. The celebration serves as a national platform for recognizing the diverse identities, our traditions, and wisdom systems that continue to shape our nation’s cultural landscape. Indigenous communities represent some of the oldest living cultures in the world,” said SCCTA head Reden S. Ulo, a Tboli cultural worker and community leader from Lake Sebu, South Cotabato.

A work of ‘pukpok’ by Kapampangan metalsmith and Manlilikha ng Bayan Eduardo Mutuc.

He explained that the objectives of the festival is “to raise public awareness on the sustainable development agenda of the indigenous peoples/indigenous cultural communities; to support the indigenous youth contributions in safeguarding intangible cultural heritage; to facilitate knowledge and skills share toward mainstreaming indigenous learning system and education pedagogy; to broaden the network of support from culturally responsive LGU and other inter-agency partners; and to boost the Dayaw strategic direction anchored on Philippine Development Plan 2023 to 2028 and United Nations Sustainable Development Goals.”

The Meranaw delegation took to the stage.

A traditional dance by the Pala’wan group from Palawan.

Iraynun Bukidnon performers from Antique.

Now on its sixteenth year, the festival, which is held in different parts of the Philippines, has become perhaps the largest gathering of different indigenous groups in the country. This year, Dayaw Festival was held from 7 to 9 October in the province of Negros Occidental, was able to gather around 200 delegates from about 40 ethnolinguistic groups and cultural communities including Ivatan, Ibaloi, Kankanaey, Pangasinan, Kalinga, Ilocano, Balangao, Bontoc, Ifugao, Bugkalot, Ga’dang, Gaddang, Pampangan, Dumagat Remontado, Waray, Panay Bukidnon, Boholano Cebuano, Western Visayas Ati, Hiligaynon, Romblomanon, Pala’wan, Palawani, Maguindanao, Iranun, Mandaya, Sama Banguingui, Tboli, Erumanen Manobo, Mamanwa, Matigsalug Manobo, Tausug, Agusan Manobo, Higaonon Manobo, Subanen, Bagobo Manobo, Blaan, Sangir, Meranaw, and Yakan. They were joined by indigenous groups and cultural communities in Negros Island including the Hiligaynon, the Ati, the Ata and the Ituman Magahat Bukignon.

The festival was guided by the theme “Habi ng Kultura, Yaman ng Kinabukasan (Weaving Culture, Enriching Future),” which, according to NCCA executive director Eric B. Zerrudo, in his speech during the opening program, “ay nagsisilbing malinaw na paalala: ang ating pambansang pagkakakinlanlan o identity ay binubuo ng maraming hibla. Bawat isa sa ating mga pamayang kultural ay may sariling sinulid ng kasaysayan, wika, sining at creative expressions na kapag pinagsama-sama ay lumilikha ng isang makulay at matibay na tela ng ating kultura. Tulad ng hablon, ang kultura ay hindi lamang dekorasyon; ito ay nagpapa-alab, nagbibigay-lakas, at sumasalo sa atin sa gitna ng mga hamon ng panahon (serves as a clear reminder that our national identity is made up of many threads. Each of our cultural communities has its own strand of history, language, art and creative expression that, when woven together, forms the vibrant and resilient fabric of our culture. Like a handwoven textile, culture is not merely an ornament — it ignites passion, gives strength, and holds us together amid the challenges of our times).”

Tboli brass belt crafted by Tboli brass caster and Manlilikha ng Bayan Bundos Fara.

Dagmay, Mandaya abaca textile, woven by ‘Manlilikha ng Bayan’ Samporonia Madanlo from Caraga, Davao Oriental.

For Ulo, the theme “underscores unity in diversity and the urgent need to safeguard indigenous rights as enshrined in the Indigenous Peoples’ Rights Act (IPRA) of 1997 and other global frameworks like the United Nations Declaration on the Rights of Indigenous Peoples.”

Dayaw Festival is composed of exhibits, fora, crafts demonstrations, outreach activities and performances. The opening program, hosted by the local government of Bago City, was graced by NCCA and local officials.

The Dayaw Exhibit was opened at the newly opened North Block of SM City Bacolod in Bacolod City, featuring different ethnolinguistic groups in the Philippines as well as two NCCA programs — the Gawad sa Manlilikha ng Bayan, including works of honorees and the School of Living Traditions.

On the second day, the delegates were divided into clusters for simultaneous outreach programs in six cities and municipalities — Binalbagan, Kabankalan City, Murcia, Cadiz City, Don Salvador Benedicto and Bago City — where they showcased traditional musics, dances, chants and oral forms as well as the making of some crafts and dishes. They also get to interact with locals, especially students.

With its fora, Dayaw Festival severed as venue for dialogue and discovery as delegates shared their perspectives and experiences in different topics.

The forum “Culture Lived, Not Lost: Safeguarding Indigenous Knowledge for the Future” tackled how living traditions continue to evolve through shared practice, community collaboration, and creative adaptation. Joel Mallari from the Kapampangan delegation reminded participants that intangible cultural heritage thrives only when lived.

“Culture endures not because it is memorized, but because it is lived,” he said.

He identified four key areas of safeguarding — identification, protection, transmission, and policy integration — and emphasized empowering indigenous youth to lead this process. With digital tools and creative platforms, younger generations can ensure that traditional wisdom remains visible and viable in the modern world.

In “Reviving Traditional Governance for Cultural Continuity,” Renel Lavilla of the Panay Bukidnon delegation spoke about the role of indigenous law and governance in sustaining cultural integrity. Elders, babaylan, and community mediators — traditional figures of authority — continue to shape peace and decision-making. By recognizing these systems, local and national institutions can uphold indigenous perspectives in governance and development.

“Respect for cultural diversity is key to peace. The wealth of indigenous culture lies not in possession, but in practice,” he said.

In “Sustainable Livelihoods as Cultural Preservation,” Tboli cultural advocate Nenita Kinan presented the Tboli Trade and Crafts Cooperative of COWHED (Cooperative of Women in Health and Development) in Lake Sebu as an example of culture-based enterprise, linking cultural heritage and economic viability. She said that while challenges such as limited funding, weak policy implementation and lack of training persist, the community pushes forward through enterprise and innovation.

In “Culture-Sensitive LGU Programs for Resilience and Empowerment,” Negros Occidental board member Rita Gatuslao discussed integrating cultural sensitivity into disaster risk management (DRRM). The province’s initiatives — ranging from mapping ancestral domains to digital youth leadership programs — show that resilience lies in community connection, not merely reconstruction. “Resilience is not about rebuilding structures, but reweaving connections,” she said.

In “Ivatan DRRM: Indigenous Knowledge in Action,” Anastacia Viola of the Ivatan delegation shared how the Ivatan of Batanes rely on traditional ecological knowledge for survival including ethno-meteorology, community-based warning system, building practices and communal cooperation. Their experience shows how traditional knowledge and modern preparedness can coexist, forming a local model of resilience.

The series of forums was capped by “Inclusive Governance Forum: Listening to Indigenous Experiences,” at the SM City Bacolod North Block, where speakers from different agencies, including the NCCA, the National Commission on Indigenous Peoples, the Department of Tourism and the Catholic Bishops’ Conference of the Philippines’ Episcopal Commission on Indigenous Peoples, talked about their initiatives involving the indigenous communities and cultures.

This was followed by a closing ceremony marked by a showcase of traditional performances.

“Beyond the celebration, Dayaw 2025 is a call to action. So, after this, what’s next? This is to protect ancestral domains, preserve endangered languages and ensure that indigenous knowledge systems—both tangible and intangible—are respected and integrated into national development,” said Ulo.

“Dayaw 2025 becomes more than a festival—it becomes a movement affirming that the Philippines’ future is stronger when its many cultures thrive together,” he stressed.