“Hindi naman sa hindi ako tumanggap ng budget...” he clarified, explaining that he saw how difficult it was for the young production team to recover from such a major setback. Having experienced the same challenges himself as a director and producer, he chose not to add pressure to the project’s already tight budget.
("It's not that I didn't accept the budget...")
“Saka mo na ako intindihin. Shoot muna natin ito. Huwag niyo na muna ako intindihin,” Epy recounted telling the team. Though the producers still gave him something in appreciation, he insisted he never asked to be paid. “Alam kong masakit na sa bulsa niyo.”
(“Understand me later. Let’s shoot this first. Don’t worry about me for now.” “I know it’s already hurting your pockets.”)
He emphasized this wasn’t the norm for all his projects but a conscious decision rooted in support. “Hindi naman (ako) gumagawa ng libreng trabaho,” he said with a laugh. “But there are films you do out of love, out of belief in the art, and because you want to help aspiring filmmakers.”
("It's not like I do free work.")
Citing his past work with indie institutions like Cinemalaya, Epy recalled accepting as little as P1,000 per shooting day — even when filming as far as Tarlac. “Sa toll pa lang ubos na yun eh, di ba?” he noted.
("Just the toll alone already uses it up, right?")
Recognizing "As The Moth Flies" as an advocacy film for mental health, he added, “Mahirap maningil sa advocacy film. These are stories that aren’t always profitable, but they are powerful.”
("It's hard to ask for payment in an advocacy film.")
Produced by Happy Manila, Desi Matters, and Rav Singh, As The Moth Flies will have a one-time private screening on 3 May at the Victoria Sports Cinema in Quezon City.
As indie cinema continues to serve as a platform for social issues and emerging storytellers, Epy Quizon remains a strong advocate, proving that sometimes, the best performances come not from a paycheck, but from purpose.