Daily TribuneDetermined to meet the rigorous standards of a Broadway-caliber production, Ken immersed himself in intensive preparation, refining his jazz and ballet technique.
KEN San Jose as Mark Anthony in 'A Chorus Line.'
PHOTOGRAPH courtesy of KEN SAN JOSE/IG
Ken San Jose is trading viral dance clips for the bright lights of the theater as he joins the Manila staging of A Chorus Line, stepping into the role of Mark Anthony in the iconic Broadway musical.
Widely recognized for his dynamic choreography on TikTok and high-energy performances on ASAP, Ken is now circling back to his first artistic love: live theater. The production, mounted by Theatre Group Asia, is helmed by Emmy Award-winning choreographer Karla Puno Garcia, known internationally for her work on the 76th Tony Awards.
In A Chorus Line, Ken portrays Mark Anthony, the youngest hopeful in a grueling audition process that lays bare the personal stories of dancers vying for a spot in the ensemble. Mark is bright-eyed, sharp-tongued, and brimming with potential — a character whose humor and vulnerability bring warmth to a show celebrated for its raw honesty. The role demands triple-threat precision: Strong vocals, sharp acting instincts, and technical dance mastery.
Though many fans discovered Ken through social media and television, his roots run deep in musical theater. Long before trending online, he was already training and performing onstage. That passion resurfaced in a big way when he appeared in Joseph the Dreamer alongside Sam Concepcion and Gary Valenciano, an experience that reignited his commitment to theater.
Determined to meet the rigorous standards of a Broadway-caliber production, Ken immersed himself in intensive preparation, refining his jazz and ballet technique and building the stamina required for one of musical theater’s most demanding shows.
First premiering in 1975, A Chorus Line reshaped Broadway by shifting the spotlight to dancers — their ambitions, fears, and personal sacrifices. Its stripped-down staging and emotionally charged storytelling have cemented its reputation as a landmark in theater history.
The Manila production also boasts an impressive lineup of talent, including Filipino-American actor Conrad Ricamora, known globally for his role as Oliver Hampton on How to Get Away with Murder and for his acclaimed work on Broadway.
For Ken, taking on Mark Anthony is both a milestone and a meaningful return. The character’s youthful optimism mirrors his own journey — an artist evolving in public while staying anchored to the craft that shaped him.
Beyond the footlights, Ken is also gearing up to unveil new music under Diorama, signaling an exciting expansion of his creative path. Between the stage, the studio, and his digital presence, this season marks a transformative stretch for the young performer.
