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Tokyo shines spotlight on the Philippine ‘Tree of Life’

The exhibition brought Filipino ingenuity and Japanese precision together, guided by the shared values of craftsmanship and sustainability.
THE pavilion highlighting the Coconut Palace showcases a central maquette, surrounded by delicate watercolors of its interior.
THE pavilion highlighting the Coconut Palace showcases a central maquette, surrounded by delicate watercolors of its interior.Photograph courtesy of Tokyo Design Hub
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The Philippine Coconut: The Tree of Life, Seed of Innovation — an exhibition at the Tokyo Design Hub, curated and conceptualized by Salcedo Auctions, invited visitors to explore the deep cultural significance and innovative potential of the coconut.

A common and hardworking presence in the everyday life of Filipinos, the coconut stood at the heart of the exhibit, presented in partnership with the Department of Trade and Industry Philippines, the Philippine Trade and Investment Center in Tokyo, Coconut Farmers and Industry Development Plan and the Philippine Embassy in Japan.

A PANORAMIC look at the Anatomy of the Coconut, featuring products drawn from different parts of the coconut tree.
A PANORAMIC look at the Anatomy of the Coconut, featuring products drawn from different parts of the coconut tree.Photograph courtesy of Tokyo Design Hub

The exhibition brought Filipino ingenuity and Japanese precision together, guided by the shared values of craftsmanship and sustainability. It was part of a comprehensive show devoted to the coconut, highlighting its expansive role in Filipino society. 

Opening with the “Anatomy of the Coconut” to introduce products crafted from its components, the show showcased the coconut’s many uses, from wellness products to industrial applications, artisanal crafts and contemporary home décor. 

EMMANUEL Cordova’s ‘The Bond,’ a tribute to the ties between the Philippines and Japan.
EMMANUEL Cordova’s ‘The Bond,’ a tribute to the ties between the Philippines and Japan.Photograph courtesy of Tokyo Design Hub

A highlight was a pavilion dedicated to Tahanang Pilipino, formerly known as the Coconut Palace. Inside it was a floating maquette of the iconic building, alongside never-before-exhibited watercolor renderings of the original interiors and an immersive virtual reality walkthrough, allowing visitors to experience its vision and scale. 

The exhibition that ran until 30 January at the Tokyo Design Hub, 5/F Tokyo Midtown, Akasaka, Tokyo. Through it, audiences saw the coconut as a powerful symbol of Filipino ingenuity and resilience — one that bridges tradition and contemporary innovation, and continues to inspire new possibilities across disciplines and borders.

GERALDINE Javier’s Two Fridas showcased among the exhibition’s notable pieces.
GERALDINE Javier’s Two Fridas showcased among the exhibition’s notable pieces.Photograph courtesy of Tokyo Design Hub
JOEL Geolamen’s ‘Habilin (Pis Syabit, Tausug) Series 5,’ which celebrated Lumad communities and their textiles.
JOEL Geolamen’s ‘Habilin (Pis Syabit, Tausug) Series 5,’ which celebrated Lumad communities and their textiles.Photograph courtesy of Tokyo Design Hub
LAMANA Furniture’s pieces, made in collaboration with Ishinomaki Laboratory, are displayed alongside products crafted from coco coir.
LAMANA Furniture’s pieces, made in collaboration with Ishinomaki Laboratory, are displayed alongside products crafted from coco coir.Photograph courtesy of Tokyo Design Hub
MARIA Pureza ‘Puchette’ Escano’s A Morning Offering, alongside Demetrio dela Cruz’s pieces ‘Si Maganda and Si Malakas.’
MARIA Pureza ‘Puchette’ Escano’s A Morning Offering, alongside Demetrio dela Cruz’s pieces ‘Si Maganda and Si Malakas.’Photograph courtesy of Tokyo Design Hub
‘INTO Silence,’ a work by Mark Andy Garcia.
‘INTO Silence,’ a work by Mark Andy Garcia.Photograph courtesy of Tokyo Design Hub

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