The story follows Detective Chris Raven (Pratt), who must prove his innocence in the murder of his wife within 90 minutes, facing A.I. Judge Maddox (Ferguson) — a revolutionary technology he once championed — before the death penalty is carried out.
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Philippine moviegoers will experience a new kind of cinematic immersion with Mercy, a futuristic action thriller starring Chris Pratt and Rebecca Ferguson, set to open in theaters nationwide on 28 January, including IMAX.
Directed by Timur Bekmambetov, the filmmaker behind Unfriended and Searching, Mercy uses the director’s signature screenlife style, blending traditional filming with storytelling through digital screens to place viewers directly in the action.
Bekmambetov explained that the approach reflects the dual realities of modern life: “We live simultaneously in the physical world and the digital world — through messages, clicks, and online interactions. Mercy explores that space.”
The story follows Detective Chris Raven (Pratt), who must prove his innocence in the murder of his wife within 90 minutes, facing A.I. Judge Maddox (Ferguson) — a revolutionary technology he once championed — before the death penalty is carried out.
To build the film’s dystopian 2029 Los Angeles, Bekmambetov partnered with visual design firm Experimental/Design, known for their work on Minority Report. Lead designer Jen Stein said the team focused on “world-building, considering how AI and emerging technologies could shape society and impact everyday life.”
Producer Robert Amidon called the production “highly experimental,” noting that the combination of innovative visual techniques and Screenlife storytelling represents a first for a film of this scale.
Actress Kali Reis, who plays Detective Jacqueline Diallo, said the multi-screen format allowed actors to remain fully immersed in their characters, helping the audience connect with the story despite its high-tech presentation.
