State of heritage conservation in the Phl
The dawn of the 21st century saw a renewed and growing awareness of our historical and cultural heritage. This was fueled in part by social media platforms that inspired pride in our past and by the enactment of Republic Act 10066, the National Cultural Heritage Act.

The Diplomat Hotel Conservation Project.
PhotographS Courtesy of Ar Joel V Rico, FPIA, UAP
For almost a century, the conservation of structures in the Philippines has been a quiet yet steadfast practice. Although only a handful of buildings were formally recognized as heritage during the Spanish and American Colonial Periods, the drive to preserve our architectural legacy, particularly civic and church structures, has been an enduring part of our national identity.
In the aftermath of the 1863 earthquake, the Pasig Church Bell Tower was restored by Felix Roxas, symbolizing an early example of heritage conservation. During the Malolos Convention, Arcadio Arellano meticulously repaired the Barasoain Church. Likewise, Tomas Mapua oversaw the restoration of the Intendencia de Intramuros and the Ayuntamiento de Manila in 1935 in anticipation of the Commonwealth Proclamation. The most ambitious of these early efforts came in the 1980s when the Intramuros Administration restored the entire walls of Intramuros – an unprecedented feat that remains the largest conservation project in Philippine history.

The restoration of the Manila Metropolitan Theater.
The dawn of the 21st century saw a renewed and growing awareness of our historical and cultural heritage. This was fueled in part by social media platforms that inspired pride in our past and by the enactment of Republic Act 10066, the National Cultural Heritage Act, which mandated the conservation of our country’s irreplaceable treasures. The recent restoration of the Metropolitan Theater by the NCCA exemplifies the dedication required for this cause.
Despite the challenges, the project demonstrated that with collective resolve, we can reclaim and breathe new life into our heritage. The Adaptive Reuse of landmarks like Kalayaan Hall in the Malacañang Palace Complex, the Teus and Goldenberg Mansions, also highlights how these historic structures continue to remain relevant and meaningful in our contemporary context.

Las Casas de Filipina Acuzar (in Bataan).
Equally fascinating is the modern Bayanihan spirit behind the concept of Transferring Heritage Structure, the Las Casas Filipinas de Acuzar in Bagac, Bataan. It may not be ideal, but it served as a testament to this innovative approach — dismantling and rebuilding heritage buildings piece by piece to create a new setting that honors and celebrates our past.
Today, the most ambitious restoration effort is the Department of Education’s Gabaldon Restoration Project, launched in 2018 under Republic Act 11194. It aims to restore and conserve over 1,000 historic schoolhouses, safeguarding them as centers of learning and culture for generations to come. Simultaneously, the DPWH initiated the “Big One Preparedness Program” to assess and retrofit old structures in Metro Manila, a necessary measure given the region’s vulnerability to earthquakes.

