The grandeur of classical and Filipino music once again echoed through the historic halls of the Goldenberg Mansion as “The Goldenberg Concert Series Presents: Anibersaryo — Ang Unang Taon” recently celebrated its first anniversary.

The evening was a testament to the success of the series, which has brought the magic of live performances to diverse audiences, including public school students who have found inspiration in the melodies of timeless compositions.

Amid the elegant affair, First Lady Liza Marcos and former First Lady Imelda Marcos were seen thoroughly enjoying the performances, adding a touch of prestige to the milestone event.

“Happy anniversary, Goldenberg Concert Series! Has it been a year? Time flies when you’re creating something so special!” the current First Lady said.

While the former First Lady, known for her longstanding appreciation of the arts, was particularly engaged, nodding and smiling as each musical piece unfolded.

Mrs. Araneta-Marcos also exuded delight, clearly captivated by the evening’s symphony of local and international compositions.

The program featured a stellar lineup of Filipino musicians, each bringing their expertise and passion to the stage.

Accomplished cellist Rose Belle Cama, an alumna of the University of Santo Tomas, showcased her mastery honed through years of performing with prestigious orchestras such as the Manila Philharmonic Orchestra and the Philippine Philharmonic Orchestra.

Violinist Fatima Matas Aquias, whose musical journey began at the tender age of four, showed why she remains a respected figure of Philippine classical music.

Another standout was Iqui Vinculado, the first female graduate of Classical Guitar Performance from UST, who skillfully blended technical precision with heartfelt artistry.

Charisse Toledo, a talented violinist with degrees in both music and law, also graced the stage, showcasing the powerful intersection of intellect and artistry.

Soprano Sheila Marie Ferrer captivated the audience with her powerful vocals, performing such classics as Mutya ng Pasig and Gaano Ko Ikaw Kamahal, which evoked deep emotions in the attendees.

The concert’s program was thoughtfully curated, with the first half celebrating Filipino melodies in the Filipino Music Suite by Kim Nimrod Cruz, followed by stirring renditions of international pieces such as Pavane, Op. 50 by Gabriel Fauré, and Spiegel im Spiegel by Arvo Pärt.

The second half continued the tribute to Filipino musical heritage, with Araw-Araw sa Maynila by Lucio San Pedro and Sa Kabukiran by Manuel Velez evoking nostalgia and national pride.