In an industry where fame can be fleeting, Ricky Davao has remained a steady, compelling presence—an actor whose depth, discipline, and dignity have made him both a respected artist and a quiet icon. From his early years as a dancer to his commanding performances on stage and screen, Davao has built a career that’s as multifaceted as the man himself.
Born Frederick Charles Caballes Davao on May 30, 1961, Ricky was the son of legendary actor Charlie Davao and the younger brother of Bing Davao — clearly, storytelling runs in the family. But before he stepped into the spotlight as an actor, Ricky first moved to the rhythm of dance. A member of the Vicor Crowd, he considered dancing his first love, and that physical discipline would later translate into the emotional nuance he brought to his acting.
Whether as the fictionalized Bongbong Marcos in the bold 1980s political play Bongbong at Kris or the menacing Eduard Rodrigo in Mula sa Puso, Davao displayed a transformative power that made every role unforgettable. Theater, television, film — no medium was off-limits. And with each performance, he cemented his place in the pantheon of Filipino acting greats.
While many in the entertainment industry live their lives out loud, Ricky Davao has always drawn a line between public and personal. He married fellow actress Jackie Lou Blanco in 1989, and together they had three children. Although they later separated, the bond remained respectful and intact—a testament to their maturity and mutual regard. In 2021, they even reunited on-screen in I Can See You: AlterNate, a moment that delighted longtime fans and reminded everyone of their shared history.
Ricky found joy in his personal life with partner Malca Darocca. Though he kept his relationship largely out of the limelight, he didn’t shy away from happiness. “It’s an open book,” he said candidly, “but I’m not very open about it.” His charm was in his quiet authenticity —never one to flaunt, but never afraid to feel, either
In Monday First Screening under NET25 Films directed by Benedict Mique, Ricky’s role was opposite Gina Alajar in a tender tale about love blooming late in life. It was a role that felt autobiographical. “We just need to be happy,” he said, echoing the film’s themes and his own outlook. At 63, he was proof that passion, both in art and in love, doesn’t fade — it simply matures.
Beyond the camera, Ricky’s influence stretches into civic life. In 2010, he entered politics, briefly running for councilor in Quezon City’s 4th district. Though he later withdrew to avoid conflict with a film release, the gesture underscored his desire to serve and engage with community beyond the screen.
Ricky Davao was many things: actor, dancer, director, father, friend. But perhaps what made him truly unforgettable was his refusal to be defined by just one role. He let his work speak, his actions resonate, and his legacy unfolded with grace.