Cinemalaya 2026 dives deeper
The 22nd edition replaces its iconic balangay with a diver, a symbol of a new chapter for Philippine independent cinema.
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The 22nd edition replaces its iconic balangay with a diver, a symbol of a new chapter for Philippine independent cinema.
This year's official poster
Festival director Chris Millado
Chris Millado/Facebook
The nine full-length filmmakers of the 22nd Cinemalaya Philippine Independent Film Festival.
Cinemalaya/CCP
For more than two decades, the balangay stood as the symbol of Cinemalaya's journey through the changing tides of Philippine independent cinema.
For its 22nd edition, the Cinemalaya Philippine Independent Film Festival replaces the ancient wooden boat with a lone diver emerging from the depths. The new image marks a shift from survival to reflection and asks a larger question: Where does Philippine cinema go from here?
"In 2005, we needed a symbol of survival. We chose the balangay, the ancient Filipino wooden boat," festival director Chris Millado said during the festival launch on 8 July at the Shangril-La Plaza Grand Atrium.
"The idea was direct and simple: the Cinemalaya Festival is a vessel that carries new filmmakers and their stories across rough seas to an audience."
This year, however, the imagery has changed.
"For 2026 and the festival's 22nd edition, this is the first year the balangay isn't moving. It is moored. We see a diver swimming toward the surface. That's us. That's us going deep into memory, into trauma, into joy, into the parts of our consciousness that we don't usually post on social media.
And what are we bringing back? Footage, faces, stories that would languish if we didn't dive for them."
For Millado, the diver represents the role of independent filmmakers in uncovering difficult truths.
"Anybody can dive, but only a few have the lungs to come back up with the truth and still be able to speak. That's what independent film has always been."
The symbolism also reflects the festival's evolving purpose after 22 years.
"We started by building a vessel to keep independent film alive. Now, we're using that same vessel to ask where Philippine cinema is headed. The question is no longer just, 'How do we survive?' We're also asking, 'What kind of country are we saving for?'"
This year's festival theme, Reel Reflections, echoes that inward-looking approach as Cinemalaya presents nine full-length and 10 short films in competition.
Competing in the Full-Length category are 2 Valid IDs by Ma-an Asuncion-Dagñalan and Abet Pagdagdagan Raz, A.ni.mál by Dustin Celestino, Ganggang by J.L. Burgos, Kaka sa Yawan by Alpha Habon, Hand of God by Mark Duane Angos, Mag-iina by Giancarlo Abrahan and Guelan Varelan-Luarca, Status: Rejected by Vahn Leinard Pascual, Tayo Lang ang Nakakaalam by David Corpuz, and Tirik by May-i Guia Padilla.
The Short Film Competition features Elenita Elena Elaine by Gabriela Serrano, Honey, My Love, So Sweet by JT Trinidad, Hoy, Hoy, Ingat! by Norvin delos Santos, kung paano kakalas. by Joseph Vitali, Para-Paraan by Mae Chan Li, Runo! by Lysa Catolico and Jazmine Pateña, Silkscreen by Rey Anthony Villaverde, Sorbetes by Jennissie Gilbuena, The Keeper by Nolan Rae Fabular and TRNZ, and The River Flows in Different Places by Lot-Lot Hermosura.
The 22nd Cinemalaya Philippine Independent Film Festival runs from 6 to 18 August under the theme Reel Reflections, with screenings at Shangri-La Plaza's Red Carpet Cinemas, Ayala Malls Cinemas, and Gateway Cineplex.
