The artistic awakening
“Marami ang hindi nakakaalam na visual artist ako (Many people don’t know that I’m a visual artist),” Escudero-Tamayo shared with a warm laugh. “The curiosity started early. At a young age, I already knew I enjoyed doodling and going to museums.”
Her love for the arts deepened when she encountered a painting by Mauro “Malang” Santos. “It was colorful and beautiful. Then I saw Claude Monet’s works in a magazine — soft, dreamy, and full of life. That’s when I started researching more about him and other artists.” These early visual experiences planted the seeds that would later blossom into her distinct painting style.
The impasto impression
Under the mentorship of noted Filipino artists Crisel Malait and Rene Cuvos, Escudero-Tamayo developed a signature style that favors impasto — a technique that emphasizes texture through thick, expressive layers of paint. Whether working in oil or acrylic, her canvases come alive with bold colors and rich textures.
Her favorite subjects include Mother and Child, trees, flowers, and natural landscapes. “I love painting Mother and Child because it captures one of the purest forms of love and connection. It’s a bond I’m always drawn to express.”
She added, “Nature — whether trees, flowers, or landscapes — gives me peace. Through these subjects, I find calm, inspiration, and a sense of connection to the world around me.”
The unintended spotlight
What began as a private hobby and creative outlet has become a celebrated part of Escudero-Tamayo’s identity. “This started as a stress reliever. I never intended to highlight it,” she admitted.
But fate had other plans. A friend from Rotary invited her to join the United Women Artists Association, led by president Menchu Arandilla and Zharine Carbonell of the Shaped Women Organization. “Zharine has been including me in these fabulous art exhibits. I must be doing something right for people to notice — and for that, I’m grateful.”