Daily Tribune‘His artwork is all about movement — you can sense the motion and emotion even in a still painting — so I wanted my pieces to carry that same feeling.’
Art Underground celebrates its 10th anniversary with two special collaborations where art meets fashion: Guhit ng Gunita by SAIS and Daryl Maat, and Tambour by Arce and Joe San Antonio.
In this collaborative exhibition between artist Arce and fashion designer Joe San Antonio, the tambour embroidery frame serves as both subject and symbol, a quiet yet powerful emblem of creation, discipline and grace.
‘Early Sketches.’
Daryl Maat with models.
Photo Stephanie Mayo for the daily tribune
‘A round of Inner Completion.’
‘Wisdom in Full Circle.’
‘Endless Growth and Renewal.’
Art Underground, the contemporary visual art gallery based in San Juan City, celebrated its 10th anniversary on 7 June with a landmark event that spotlighted collaboration and creativity. Held at Fifth on 5th in Bonifacio Global City, the event launched two exhibitions — “Tambour” and “Guhit ng Gunita” — both of which brought together painters and fashion designers in bold, cross-disciplinary pairings.
“Tambour” is a collaboration between artist Arce and fashion designer Joe San Antonio, drawing inspiration from the tambour embroidery frame—known locally as bastador, used to keep fabric taut during needlework. The collection featured Arce’s intricate, floral-themed circular paintings and San Antonio’s romantic haute couture eveningwear that echoed the delicate movement and emotion of the artworks.
“When I was designing, I wanted everything to be more flowy,” San Antonio told DAILY TRIBUNE. “His artwork is all about movement—you can sense the motion and emotion even in a still painting—so I wanted my pieces to carry that same feeling. More flow, no constrictions in the dresses.”
She described how the collaboration unfolded: “He finished his artwork first and brought it to my studio. From there we worked together, matching the colors, threads, and flowers one by one. We sketched the flowers directly from his piece. He even made the painting round to fit our theme, Tambour—like a bastador in Tagalog. He normally doesn’t paint in a circular format, but he did it especially for this event.”
In contrast, “Guhit ng Gunita” explores memory, childhood, and nostalgia. The exhibit pairs fashion designer Daryl Maat — best known for his pad paper barongs worn by numerous celebrities — with visual artist SAIS, whose signature graphite and charcoal illustrations feature pop-surreal, emotive figures. Maat shared that working with SAIS challenged him in new ways.
“The previous work of SAIS is very black and white. I’m black, white, and beige, but I’m also very colorful. So it’s kind of hard for me to create something that respectfully reflects SAIS, but also keeps the identity of Daryl Maat. That’s one of the challenges I faced,” he told DAILY TRIBUNE.
“The second challenge was sourcing fabrics. I had different fabrics in mind — especially the Inabel. It’s really hard to source Inabel, but thankfully I was able to find some. Specifically, I used kantarines (a specific type of Inabel). Kantarines is hard to produce because most weavers don’t want to replicate it; it consists of checkered weaving, which takes longer to do compared to normal Inabel. When I discovered this fabric, it reminded me of a school uniform — that’s when I felt happy that I got it. At least that was one challenge I was able to overcome,” he added.
For SAIS, the resonance between their work came naturally.
“I think it was the shared sense of nostalgia. Even before we had spoken or met, that was already the idea that naturally complemented both our works. Mine was purely black and white, while Sir Daryl’s, when seen by the audience, really carried a nostalgic feeling. That connection was very meaningful to me,” SAIS told DAILY TRIBUNE.
Gallery manager Deseree Mapandi explained that the exhibits were meant to expand how viewers engage with contemporary art.
“This is to immerse ourselves in contemporary art and a new perspective, like bridging fashion and art, or maybe canvas works. It’s very dynamic to see something in 2D being translated into something 3D, into human form. It’s really delightful to see that transition itself. And then, perhaps we also want to let the public and our collectors know that we will always strive to keep elevating our exhibitions. If doing so requires collaborations like this, we’re always excited to create something — something very interesting. And I feel like this is only the beginning for us to do even more.”
“You acknowledge the power of art, and you also acknowledge the power of fashion — how influential it is to something so elegant, and then something so young. Especially the younger generations today — they can now see artworks being transformed into garments that might not necessarily be worn, but could stand alone as display pieces. Yet the treatment remains: all of these are artworks. Something you wear on a daily basis can also carry that mindset — that what I’m wearing today is, in itself, a work of art,” she added.
Asked how these exhibits reflect the identity Art Underground has shaped over the past decade, Mapandi said: “Very contemporary. As a contemporary gallery, we would love our projects and collaborations to be in that line — that route, of course. And then collaborating with contemporary fashion designers as well. I think that would be a beautiful description of how this is described. It’s so contemporary.”
She then shared how the gallery continues to champion Art Underground artists that they exclusively work with.
“We give them the opportunity to have exhibitions at our space. We give them the opportunity to actually be showcased not only at a national level but also at an international level. We give them that moment to showcase Filipino art and really tell the people out there that Filipino art is something that is global.”
