Daily TribuneIn a film that asks its viewers to look back and remember, Fyang Smith and JM Ibarra help us understand what was once felt, what was once lost and what — even in silence — endures.
CES Quesada, Sofia Smith, Nova Villa, JM Ibarra and Bodjie Pascua.
PHOTOGRAPHS COURTESY OF NATHAN STUDIOS
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Sofia Smith as Eun-sim.
JM Ibarra as Tae-ho.
In Nathan Studios’ latest offering Picnic, a poignant and beautifully adapted Filipino dub of the acclaimed South Korean film, two breakout stars are quickly capturing the public’s attention: Pinoy Big Brother: Gen 11 winner Sofia "Fyang" Smith and versatile newcomer JM Ibarra.
While the film is anchored by powerhouse veterans such as Ces Quesada, Nova Villa and Bodjie Pascua, it’s the on-screen pairing of Smith and Ibarra — as the younger versions of Eun-sim and Tae-ho — that delivers a stirring emotional counterpoint to the story’s introspective core.
Smith, who provides both the voice and emotional texture of the youthful Eun-sim, has already been called a scene-stealer by early reviewers. Her performance navigates the character’s early innocence and quiet longing, offering a heartfelt portrayal that feels grounded yet ethereal. There’s a delicate maturity in Smith’s voice work — a sensitivity that signals the emergence of a serious acting talent beyond the reality show circuit.
Opposite her, JM Ibarra brings quiet intensity and vulnerability to young Tae-ho. With expressive voice acting that captures both the character’s unspoken affection and inner turmoil, Ibarra adds depth to a role that could’ve easily been one-note. Instead, he crafts a layered character that resonates, particularly in scenes that trace Tae-ho’s emotional awakening.
Their chemistry is subtle but unmistakable. Rather than relying on dramatic flair, Smith and Ibarra allow the silences between their characters to speak — evoking missed chances, youthful tenderness and the bittersweet passage of time. This contrast to the elder characters’ reflective sorrow creates a rich emotional tapestry that binds generations.
For both actors, Picnic is a turning point. It not only introduces them to a wider, more mature audience, but also positions them as voices of the next generation of emotionally driven storytelling in Philippine cinema. In a film that asks its viewers to look back and remember, Fyang Smith and JM Ibarra help us understand what was once felt, what was once lost and what — even in silence — endures.
Picnic may be rooted in nostalgia, but its future lies in performers like Smith and Ibarra — talents who prove that sometimes, all it takes to leave a mark is to be honest, present and unafraid to feel.
