While Vibal has broadly written El Español en Filipinas to explore the changes undergone that Spanish language has gone through in the postcolonial Philippines, it has its historical and contextual specificity. He particularly focuses on what became of the language after the rupture with Spain in 1898, specifically the 1924 onwards. At its core, he examined “ the evolution of Hispano-Filipino culture from the late nineteenth century and the Philippine Revolution through the Spanish Civil War, and the devastation of World War II that impacted Spanish- speaking communities. These historical events transformed Spanish from the dominant language of the late nineteenth-century ilustrados, early nationalists, and the clase directora (ruling century class) into a minority language.”
As the efforts to retain the use of the Spanish had been tumultuous and fraught after the Spanish had given up control of the Philippines, Vibal underscores, however, that he approached these historical circumstances not with a lingering sense of postcolonial nostalgia. He instead assessed current conditions to honestly address the role and future of the Spanish language and Hispano-Filipino culture in the twenty-first century.
To achieve this goal and to anchor the historicization of the Spanish language’s survival in the postcolonial setting, he turns to the microhistory of the Academia Filipina de la Lengua Española, within a broader socio-political and economic context. This is an institution founded in 1924 in Manila, whose work is dedicated to the study, promotion, and preservation of the Spanish language in the country.
He also turns the work of numerous literary scholars, including Wystan de la Peña, Isaac Donoso, Andrea Gallo, Beatriz Álvarez Tardío, Rocío Ortuño Casanova, Irene Villaescusa-Illán, and many others have conducted in-depth analyses of the content and context of this literary period.
Moreover, Vibal again makes a thoughtful and intentional consideration: instead of just limiting his recording of the vibrant literary culture of this particular period, he also focused on the performing arts during a time when Spanish-language theatrical performances, radio shows, musical concerts, and public oratory. This inflection through the combined examination of literary and performing arts has allowed the author to distill the realities that confronted the Spanish language in the complex and intriguing era with. This is while exploring the remarkable insights and challenges faced by the Academia Filipina de la Lengua Española within the context of Philippine history and culture.
As Prof. Madrid further said: “ While language served as a tool for the colonizer to articulate control and assert dominance in any society subjected to colonial rule.” Revisiting the presence of the Hispanic language and it largely shaped this nation’s history and culture allows us to make sense of these pivotal events and reflect on who we are today.
It reads as a valuable resource and is a triumphant literature and an essential read for those interested in Spanish history in the Philippines in the lens of linguistic frames. It is recommended not just for those interested in linguistics and global language conservation but for everyone.