It was a sold-out opening exhibition of Winnie Go’s Art of Nerikomi exhibit last 2 April. The latest showcase was the result of the artist’s research into the Japanese technique of Nerikomi, in which layers of a layer clay are carved and hand built to create variations of patterns that are visible on the inner and outer faces of the objects.

Each material of clay was sculpted by hand by the outstanding ceramic artist who has more than three decades of experience in fusing function and artistic expression. What made them ultimately special were the colors mixed into the clay “by eye” rather than the measured proportions prescribed by traditional Nerikomi practitioners. “Because it’s not measured, each slab is unique. You can’t duplicate it for a second time and that’s my intention,” Winnie says.

Layering colors in ceramic has been around since ancient Egyptian civilization, 1st century Romans, 8th Tang dynasty jiao tai pottery to the 17th century Nerikomi ceramics and Britain’s agateware in the 18th century.

Fast forward to today: traditional Nerikomi techniques continue to be practiced in towns in Japan, where pottery culture has flourished with local artists creating stoneware vessels in familiar colors of brown, green and white with contemporary marbling patterns.